The Third Deadly Sin (Audible Audio Edition) Lawrence Sanders Marc Vietor Audible Studios Books

The First Deadly Sin made him a success. The Tenth Commandment made him today's best-selling suspense novelist. Now Lawrence Sanders presents his biggest and best ever the nonstop thriller about a "Hotel Ripper" stalking New York's nightside with a Swiss Army knife and the retired cop named Edward X. Delaney determined to catch him. Or the killer.
The Third Deadly Sin (Audible Audio Edition) Lawrence Sanders Marc Vietor Audible Studios Books
It is arguable that Lawrence Sanders never rose to greater heights as a prose stylist, suspense-writer or storyteller than he did with THE THIRD DEADLY SIN, the penultimate novel in his "deadly sin" series of books and the fourth of five to feature crusty, sandwich-obsessed Edward X. Delaney as a protagonist. Though once referred to as "Mr. Bestseller" and nearly as prolific in his day as Stephen King, Sanders seems to be forgotten now, except for his "McNally" series which was hardly representative of his best work; but at his best he was both compulsively readable and immensely satisfying, and this novel is both.Zoe Kohler is the world's most boring woman. Hailing from a small town somewhere in the Midwest, divorced from a husband who treated her like she was invisible, virtually friendless, and stuck in a mindless, dead-end job in the security office of an old hotel in Manhattan, she worries incessantly about her health and indulges in only one hobby: murder. Sexing herself up every Friday night, Zoe picks up unsuspecting businessmen attending conventions in different hotels around town, and delivers to each the same grisly fate: a Swiss Army knife, first to the throat and then to the jewels. But because nobody ever notices the world's most boring woman, nobody suspects her, leaving Zoe free to indulge her hobby -- over and over and over again.
Edward X. Delaney used to be a cop -- and not just any cop, but the NYPD's Chief of Detectives. Now, of course, he's just a bored retiree, living in a Manhattan brownstone with this second wife. So when his former "rabbi" in the Department, Deputy Commissioner Ivar Thorsen, asks him to help investigate a series of baffling murders being committed in hotels around the city, Delaney agrees, but has little idea what he's getting into: a search for a faceless, motiveless "repeater" (1970s slang for serial killer) whose vicious talents with a short-bladed knife are wreaking havoc with New York's once-thriving convention trade. Acting as an unofficial adviser to the "Hotel Ripper" task force, Delaney begins to suspect that male prejudices, including his own, may be blinding his fellow detectives to the possibility of that the Ripper may not be a man. But he has no suspects, no witnesses, no fingerprints, and no hard evidence. Only instincts. And a growing pile of victims.
THE THIRD DEADLY SIN is a very attractive suspense novel for many reasons. Aside from Sanders prose style, which is beautiful, memorable and incredibly evocative, it works on multiple levels. Firstly, the character of Zoe Kohler. She is at once both a pitiable loser, struggling with health problems and sexist attitudes at work a burgeoning relationship with a sweet and unsuspecting man...and a remorseless, relentless killer, who hunts men for the sheer thrill of it. Second, Edward X. Delaney. This crusty, hard-nosed, sandwich-obsessed detective is neither sexy, flashy, nor gifted with any great deductive genius: he's simply like a boulder that, starting slowly, gathers investigative momentum until he crushes just about everyone in his path, yet at the same time possesses a sensitivity -- largely through his wife's softening influence -- that allows him more nuances than a typical, cigar-chewing, old school detective. And this leads me to the books third major strength, which is its examination of sexual attitudes, gender roles and (unintentionally) police procedure during the period it was written -- about 35 years ago. At that time the pathology of serial killers was scarcely understood, forensic science still in its infancy, and the idea of gender equality more of a punchline than a serious idea. Delaney, an aging Irish cop with flat feet, is both brimming with cheauvanistic, patronizing, old-school attitudes and open to the possibility that those attitudes may be wrong.
No novel is perfect, of course, and this one is no exception. Sanders sometimes makes small but basic errors in matters of police procedure, slang and etiquette; the sort of mistakes which are the result of never having been a cop himself. Occasionally he tries too hard to make characters colorful, giving them a contrived rather than a naturalistic feel; and sometimes his dialogue and description betray his overwhelming love of the English language and end up sounding pretentious or, coming out of the mouths of certain characters, simply unrealistic. (This also leads him to over-write scenes with minor characters, such as Zoe's doctor.) Most of the criticisms I can mount a this book, however, fall in the "nitpicking" category, and even when taken in the aggregate fail to outweigh all of its many pleasures.
THE THIRD DEADLY SIN may or may not have been Sanders' best book (you could make a case for THE SIXTH COMMANDMENT or THE SECOND DEADLY SIN or THE ANDERSON TAPES or various others). It may not even be his best suspense novel. But for my money it is not merely a good read but equally satisfying upon each subsequent reading, which is about the highest praise I can give to an author's work. So: buy it, make yourself a sandwich, and sit down to this half-forgotten but deservedly remembered author. Murder and mayhem have never been so fun.
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The Third Deadly Sin (Audible Audio Edition) Lawrence Sanders Marc Vietor Audible Studios Books Reviews
Superb! Very, very different from his Archy Mcnally series. Tougher, more serious and a police procedural rather than a mystery. A female serial killer v a determined police force. Intriguing exploration into the minds of both and a ripping read!
The Deadly Sin books about retired Edward X Delaney from the NYPD are some of the best reading you can ever come across. Lawrence Sanders hit the nail dead on when he created this series of life as a retired NYPD officer who just can't stay retired and of the department won't let Delaney stay retired either.
I've always liked this series, and this is the best of his many books. This detective is memorable and will have you making sandwiches as you read., His first female serial killer is fully realized and the discussion of feminism relevant for the time. It would be nice if women reached equality by
annexing only the good side of the human ledger, but that is not possible. So we are capable of murder and mayhem, as this story and internal dialog confirm. It is also a portrait of the NYPD in transition to better ethnic equality. Enjoy Sanders at his best with this book.
Edward Delaney comes out of retirement to help the local police catch a serial killer who is killing men in hotels. The killer is very smart and covers their tracks well. It takes a lot of police chasing down different leads to flush out the killer. This is an intricate plot with captivating characters.
Its definately dated as far as technical things but still all in all a pretty good book. Good inside view as well of what the times were like for working women.
I read all his books (The Edward X. Delaney series) 20 years ago and my memory has had better days, but it's like I'm reading them for the first time all over again. I like/dislike this character all at the same time. He's a great Chief of police with some old fashion values. He takes you on a journey of his investigation and it's amazing how he finally solves the crimes...Some of the endings are shockers!
Author Lawrence Sanders died about 20 years ago, after publishing 25 or so books. Mostly mysteries, I think, the ones I read back when they were published in book form, were story-telling masterworks. Oh, the plots were the same old ones that all mystery writers seem to use, and the characters were fairly plastic, but somehow, Sanders put an interesting spark in his writing that made a reader want to read on... Now that ebooks are being published, Sanders' backlist is coming to your app. I recently bought and read Sanders' "Deadly Sins" series. I've read Second through Fourth and will go back and read "First". I want to review "Third Deadly Sin" as I think it was the most interesting of the three I've read.
New York City in the late 1970's is recovering from the Son of Sam murderer. People remember all too well the random murders - men, women, couples, were found shot to death all over town. "Son of Sam" was real; the murderer in "The Third Deadly Sin" is fictional, but plays off "Sam" and the terror he caused. These murders, which take place in hotels all over mid-town, are brutal ones. Men are found with their throats slashed ,and their genitals basically hacked off. Former police captain, Edward X Delaney is chafing in his retirement and the powers-that-be call on his expertise to advise the police task force on the killings. Sanders established the murderer early in the book and the reader becomes involved in both the killings and the police precedurals as the spree continues to terrorize New York City.
Lawrence Sanders also does an excellent job in moving Edward X Delaney's life and family and friends forward as the years pass. That's very important in series books which feature the same characters. And for today's readers, it's interesting compare today's policing methods with those in the 1970's. I was glad to go back and read Sanders' series and found them as enjoyable now as they were when I first read them.
It is arguable that Lawrence Sanders never rose to greater heights as a prose stylist, suspense-writer or storyteller than he did with THE THIRD DEADLY SIN, the penultimate novel in his "deadly sin" series of books and the fourth of five to feature crusty, sandwich-obsessed Edward X. Delaney as a protagonist. Though once referred to as "Mr. Bestseller" and nearly as prolific in his day as Stephen King, Sanders seems to be forgotten now, except for his "McNally" series which was hardly representative of his best work; but at his best he was both compulsively readable and immensely satisfying, and this novel is both.
Zoe Kohler is the world's most boring woman. Hailing from a small town somewhere in the Midwest, divorced from a husband who treated her like she was invisible, virtually friendless, and stuck in a mindless, dead-end job in the security office of an old hotel in Manhattan, she worries incessantly about her health and indulges in only one hobby murder. Sexing herself up every Friday night, Zoe picks up unsuspecting businessmen attending conventions in different hotels around town, and delivers to each the same grisly fate a Swiss Army knife, first to the throat and then to the jewels. But because nobody ever notices the world's most boring woman, nobody suspects her, leaving Zoe free to indulge her hobby -- over and over and over again.
Edward X. Delaney used to be a cop -- and not just any cop, but the NYPD's Chief of Detectives. Now, of course, he's just a bored retiree, living in a Manhattan brownstone with this second wife. So when his former "rabbi" in the Department, Deputy Commissioner Ivar Thorsen, asks him to help investigate a series of baffling murders being committed in hotels around the city, Delaney agrees, but has little idea what he's getting into a search for a faceless, motiveless "repeater" (1970s slang for serial killer) whose vicious talents with a short-bladed knife are wreaking havoc with New York's once-thriving convention trade. Acting as an unofficial adviser to the "Hotel Ripper" task force, Delaney begins to suspect that male prejudices, including his own, may be blinding his fellow detectives to the possibility of that the Ripper may not be a man. But he has no suspects, no witnesses, no fingerprints, and no hard evidence. Only instincts. And a growing pile of victims.
THE THIRD DEADLY SIN is a very attractive suspense novel for many reasons. Aside from Sanders prose style, which is beautiful, memorable and incredibly evocative, it works on multiple levels. Firstly, the character of Zoe Kohler. She is at once both a pitiable loser, struggling with health problems and sexist attitudes at work a burgeoning relationship with a sweet and unsuspecting man...and a remorseless, relentless killer, who hunts men for the sheer thrill of it. Second, Edward X. Delaney. This crusty, hard-nosed, sandwich-obsessed detective is neither sexy, flashy, nor gifted with any great deductive genius he's simply like a boulder that, starting slowly, gathers investigative momentum until he crushes just about everyone in his path, yet at the same time possesses a sensitivity -- largely through his wife's softening influence -- that allows him more nuances than a typical, cigar-chewing, old school detective. And this leads me to the books third major strength, which is its examination of sexual attitudes, gender roles and (unintentionally) police procedure during the period it was written -- about 35 years ago. At that time the pathology of serial killers was scarcely understood, forensic science still in its infancy, and the idea of gender equality more of a punchline than a serious idea. Delaney, an aging Irish cop with flat feet, is both brimming with cheauvanistic, patronizing, old-school attitudes and open to the possibility that those attitudes may be wrong.
No novel is perfect, of course, and this one is no exception. Sanders sometimes makes small but basic errors in matters of police procedure, slang and etiquette; the sort of mistakes which are the result of never having been a cop himself. Occasionally he tries too hard to make characters colorful, giving them a contrived rather than a naturalistic feel; and sometimes his dialogue and description betray his overwhelming love of the English language and end up sounding pretentious or, coming out of the mouths of certain characters, simply unrealistic. (This also leads him to over-write scenes with minor characters, such as Zoe's doctor.) Most of the criticisms I can mount a this book, however, fall in the "nitpicking" category, and even when taken in the aggregate fail to outweigh all of its many pleasures.
THE THIRD DEADLY SIN may or may not have been Sanders' best book (you could make a case for THE SIXTH COMMANDMENT or THE SECOND DEADLY SIN or THE ANDERSON TAPES or various others). It may not even be his best suspense novel. But for my money it is not merely a good read but equally satisfying upon each subsequent reading, which is about the highest praise I can give to an author's work. So buy it, make yourself a sandwich, and sit down to this half-forgotten but deservedly remembered author. Murder and mayhem have never been so fun.

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